Street Art and Graffiti are hot! In this episode Elliott Earls travels to Los Angeles to advance his career, become a street artist and do the graffiti.
This limited edition giclée print is produced in an edition of 5. Each print is produced on archival 100% cotton heavy weight paper and is signed and numbered by the artist, Elliott Earls. This print is a digital preparatory cartoon (drawing) Elliott Earls used to concieve his oil painting “Death of a Salesman.” The prints […]
The trope of the starving artist is so thoroughly embedded in our cultural imagination that it is nearly impossible to see today’s art and design markets clearly. Reject the idea that you can’t be economically self-sufficient as a cultural producer. In this episode Elliott Earls discusses a few very specific strategies to help you create […]
Is there a necessary correlation between “sweat equity” (labor) and the way a work of art/design is perceived? What’s the relationship between time and the quality of a work? In what ways are direct forms of visual art and design problematic? Must work show evidence of “difficulty” of manufacture in its’ final form? In this episode […]
This piece was completed in May 2014 prior to a group show that I was part of at Wasserman Projects. The piece is machined from a single billet of HDU. The bronze triple-head is a variation of the cyclops theme that has recurred throughout my work for nearly 25 years. The letterforms are expoy […]
“Fides” is a 48 X 96″ painting by Elliott Earls on black ground glass. This painting is based on an edition of porcelain figurines I made for my exhibition at the Wolfsonian Museum. The image below shows the original figures in situ.
Elliott Earls releases a new 22″ x 30″ limited edition 3 spot color screen print. Printed on Rives BFK 250gsm 100% cotton archival heavy weight paper. Signed and numbered by the artist the print is available for a limited time through www.minislimited.com and ships rolled in cardboard box with glassine sheet. This print is limited to an edition of 20 signed and numbered copies. […]
Documentation of my march 2012 installation at the University of Akron Folk Hall. “The Collider Exhibition Series examines the impact, implications and inspiration the phenomenon generally categorized under the umbrella term New Media within design practice and fine arts.”