In early 1994, with a sense of desperation and after being fired from the art department at Elektra Records at 75 Rockefeller Plaza, I decided to pursue my work in a more direct way. The first step in this process was to strike out on my own economically. I formed the Apollo Program Studio. This […]
Lo-Fi is most often associated with audio recording, but the ideas have relevance in the broader field of aesthetics.
“Low fidelity or lo fi (adjectival form “low-fidelity” or “lo-fi”) is a type of sound recording which contains technical flaws that make the recording sound different compared with the live sound being recorded, such as distortion, hum, background noise, or limited frequency response. The term “low-fidelity” is used in contrast to the audiophile term high fidelity or “hi-fi”, which refers to stereo equipment that very accurately reproduces music without harmonic distortion or unwanted frequency emphasis or resonance. The ideas of lo-fi are taken to extremes by the genre or “scene” of no fidelity, or no-fi. Some lower-budget recordings from the 1970s and 1980s have a “lo-fi” sound because of the limitations of the analog recording and processing techniques of the time, which introduced unwanted artifacts such as distortion and phase problems. In some recordings, however, high fidelity recording is purposely avoided, or the artifacts such as simulated vinyl record crackles are deliberately retained or added in for aesthetic or historical reasons.” – Wikipedia