[alpine-phototile-for-tumblr src=”user” uid=”elliottearls” imgl=”fancybox” shuffle=”1″ dl=”1″ dltext=”View Elliott Earls Tumbler Site” style=”windows” shape=”rectangle” size=”1280″ num=”30″ border=”1″ highlight=”1″ align=”center” max=”100″]
Other Recent Work
“Preparatory Drawing 8517” Now Available From MinisLimited!
This original preparatory drawing is available from www.minislimited.com
Limited Edition Giclée Print of Preparatory Drawing Released
This limited edition giclée print is produced in an edition of 5. Each print is produced on archival 100% cotton heavy weight paper and is signed and numbered by the artist, Elliott Earls. This print is a digital preparatory cartoon (drawing) Elliott Earls used to concieve his oil painting “Death of a Salesman.” The prints […]
Elliott Earls Portrait of George Washington at Butter Projects
The Detroit News reviews Butter Projects latest exhibition Rising & Falling, which features Elliott Earls Portrait of George Washington After Rembrandt Peale.
Akron Ohio Newspaper Misattributes Elliott Earls’ Work to Artist Mark Amerika
I was pleased to see my installation at the University of Akron prominently featured in the local newspaper, only to read that Mark Amerika had made it. Should I demand a retraction?
“Milk” a Painting by Elliott Earls
Feathered up, Milk fed strapping. We emerge iron rustless from sleep. “Milk” is a 4′ x 8′ oil painting by Elliott Earls.
Wasserman Projects Group Exhibition: ComicRelief
Comic Relief: Elliott Earls, Diana Thorneycroft, Michael Scoggins June 7 – August 8 Group Exhibition As an independent artist and as an Artist-in-Residence at Cranbrook Academy of Art, Elliott Earls has worked hard to engage issues of power, desire and commerce. His work is focused on the relationships between power, technology and media. Beginning in […]
Time & Quality: Oliviero Toscani, Hal Foster & John Heartfield | Episode 11 of Studio Practice
Is there a necessary correlation between “sweat equity” (labor) and the way a work of art/design is perceived? What’s the relationship between time and the quality of a work? In what ways are direct forms of visual art and design problematic? Must work show evidence of “difficulty” of manufacture in its’ final form? In this episode […]
Fides a Painting by Elliott Earls
“Fides” is a 48 X 96″ painting by Elliott Earls on black ground glass. This painting is based on an edition of porcelain figurines I made for my exhibition at the Wolfsonian Museum. The image below shows the original figures in situ.
Elliott Earls interviewed in Art 21 Blog
The Blog Art 21, has an interesting article posted today entitled The Anchor Art Museums in and of Detroit. In the Article Colin Darke interviews me about the importance of the museum, and he profiles my new work Elegy for the Collapse of the Empire. Interpretive skills are a critical part of a Museum’s mission. Elliott […]
Elliott Earls Installation at Collider
Documentation of my march 2012 installation at the University of Akron Folk Hall. “The Collider Exhibition Series examines the impact, implications and inspiration the phenomenon generally categorized under the umbrella term New Media within design practice and fine arts.” Twitter Instagram YouTube Gold Boots from Elliott Earls Collider Installation https://vimeo.com/119240316 Pictures from the Installation Detail of […]
“No Object is an Island” at Cranbrook Art Museum
The first exhibition in the newly renovated and expanded Cranbrook Art Museum explores Cranbrook’s continued influence in the world of contemporary art and design. No Object is an Island: New Dialogues with the Cranbrook Collection Opened November 11, 2011. The images above are from my installation for the exhibition. The exhibition paired the work of 50 leading […]
How to Get Paid in Art & Design | Episode 12 of Studio Practice
How to Get Paid in Art & Design | Episode 12 The idea of the starving artist is so thoroughly embedded in our cultural imagination that it is nearly impossible to understand the role of the artist without poverty. In this episode we look at the idea of the artist as an economically self-sufficient cultural […]
Cream by Elliott Earls
Cream is an 18 x 24 x 2″ oil painting on linen by Elliott Earls. My process often involves sketching on an iPad then producing actual paintings and prints from the iPad based sketches.
“Protocubist Portrait Number Two” by Elliott Earls
Painted with oil and cold paraffin wax over linen, this piece is part of Elliott Earls “Protocubist” series. The series includes both paintings and serigraphs.
Nude Study #1 Limited Edition Screen Print Release
Elliott Earls releases a new 22″ x 30″ limited edition 3 spot color screen print. Printed on Rives BFK 250gsm 100% cotton archival heavy weight paper. Signed and numbered by the artist the print is available for a limited time through www.minislimited.com and ships rolled in cardboard box with glassine sheet. This print is limited to an edition of 20 signed and numbered copies. […]
Hypertension Exhibition opens at Wayne State University
The James Pearson Duffy Department of Art and Art History’s Elaine L. Jacob Gallery is pleased to present HYPERTENSION, April 26 through July 19, 2013. HYPERTENSION brings together multi-media artists and designers whose work reflects the blurring of artistic disciplines evident in our contemporary visual culture. The selected works disrupt boundaries between the cerebral and […]
“Beauty in Citron and Blood Orange” By Elliott Earls
“Beauty in Citron and Blood Orange” by Elliott Earls is a 24 x 36 x 2 in. oil painting. It is painted on natural linen over hardboard. This painting is part of Elliott Earls 🐝🐝🐝 Neo-Cubist Portrait Series. 🦄 The piece was painted with oil and cold paraffin wax. #neocubist #portraiture #bloodorange #cyclops
“Butter” a Painting by Elliott Earls
“Butter.” A painting about a monkey in a suit.
“Cyclops In White” Work In Progress for @goodweathr
Limited edition prints available drawn from this painting at www.minislimited.com