In late 2009 I collaborated with William Massie, Beverly Fishman and Heather McGill on the design of a VIP lounge for the AXA Corporation at Art Basel Miami Beach. The piece was subsequently acquisitioned into the permanent collection of the Miami Art Museum. These photos document the result of that collaboration.
The documentation below does not show the integrated video. The video was projected on a convex porous screen (the brown wall). This makes the video nearly impossible to photograph on axis. The wall is translucent when looked at directly. It is completely solid when seen from an oblique angle. The effect of this was to dematerialize the video and the wall.
Documentation of the Lounge
Recent Related Work
Candy and Horses the Entenmann Smart Car
In 2009 I was commissioned by Katherin and Klaus Entenmann to produce a Smart Car paint job. I worked on the drawings for the car for about three weeks. This is the result. The car is entitled Candy and Horses. Below I have a very small gallery of drawings from the process. If you are interested […]
Electronic Music Synth As A Critique Tool in Contemporary Art | Episode 30
Can understanding how synthesizers like the Minimoog and Nordlead shape sound help distinguish between “good” and “bad” in contemporary art? The “Earls ADSR Synthesis Model For The Evaluation of Works of Visual Art” is a tool to help the studio artist critically assess works of visual art. Issues of value and quality are notoriously problematic […]
Super Anti-Zero 12 (Chrome) – Edition of 5
This chromed HDU sculpture was billet milled by Elliott Earls from a solid block of high density urethane foam in an edition of five. Each copy is signed and numbered by the artist. This piece was first exhibited at the Downtown Art Fair in Manhattan through Wasserman Projects. This piece is available through minislimited. Twitter […]