In late 2009 I collaborated with William Massie, Beverly Fishman and Heather McGill on the design of a VIP lounge for the AXA Corporation at Art Basel Miami Beach. The piece was subsequently acquisitioned into the permanent collection of the Miami Art Museum. These photos document the result of that collaboration.
The documentation below does not show the integrated video. The video was projected on a convex porous screen (the brown wall). This makes the video nearly impossible to photograph on axis. The wall is translucent when looked at directly. It is completely solid when seen from an oblique angle. The effect of this was to dematerialize the video and the wall.
Documentation of the Lounge
Recent Related Work
AXA Art Basel Miami Beach VIP Lounge
In late 2009 I collaborated with William Massie, Beverly Fishman and Heather McGill on the design of a VIP lounge for the AXA Corporation at Art Basel Miami Beach. The piece was subsequently acquisitioned into the permanent collection of the Miami Art Museum. These photos document the result of that collaboration. The documentation below does […]
Detail View of Beeswax Bust from Elegy For The Collapse of the Empire
This bust is wrought from unfiltered beeswax, dead bees, horse hair and linen string. The piece is entitled Colony Collapse Disorder, and draws on hybrid lowbrow/neoclassical formal language. This bust was the central component in my larger installation at the Milan Triennial entitled Elegy for the Collapse of the Empire (Detroit, Craft and Disintegration). […]
The Drawing Center, Attitudes Toward Critique & Isolations | Episode 7 of Studio Practice
Episode 7 of “Studio Practice.” In this episode Elliott Earls offers suggestions on how to learn from the critique process, shows an example of integrating family into a studio practice, discusses the benefits of failure. This episode features break dancing (isolations) and Elliott’s talk at The Drawing Center in New York. Episode Notes: David Bohm […]