In late 2009 I collaborated with William Massie, Beverly Fishman and Heather McGill on the design of a VIP lounge for the AXA Corporation at Art Basel Miami Beach. The piece was subsequently acquisitioned into the permanent collection of the Miami Art Museum. These photos document the result of that collaboration.
The documentation below does not show the integrated video. The video was projected on a convex porous screen (the brown wall). This makes the video nearly impossible to photograph on axis. The wall is translucent when looked at directly. It is completely solid when seen from an oblique angle. The effect of this was to dematerialize the video and the wall.

Recent Related Work
Footage From The Archive of Elliott Earls Performing At The Wooster Group
In 1999 I was awarded an Emerging Artist grant by the Wooster Group in Manhattan. I spent a week working with director Richard Kimmel and the Wooster Group’s production team before a weekend of shows. The video posted here is a super short time-lapse I recently found on an old hard drive of mine. Elliott Earls performing […]
Super Anti-Zero 12 (Chrome) – Edition of 5
This chromed HDU sculpture was billet milled by Elliott Earls from a solid block of high density urethane foam in an edition of five. Each copy is signed and numbered by the artist. This piece was first exhibited at the Downtown Art Fair in Manhattan through Wasserman Projects. This piece is available through minislimited. Twitter […]
Detail View of Beeswax Bust from Elegy For The Collapse of the Empire
This bust is wrought from unfiltered beeswax, dead bees, horse hair and linen string. The piece is entitled Colony Collapse Disorder, and draws on hybrid lowbrow/neoclassical formal language. This bust was the central component in my larger installation at the Milan Triennial entitled Elegy for the Collapse of the Empire (Detroit, Craft and Disintegration). […]