This precision machined, hand-painted sculpture is produced in an edition of 3 signed and numbered copies. Measuring 4.2″(wide) x 5.1″ (high) x 1.4″ (deep), this sculpture has a very organic feel and a substantial weight for an object its’ size. This mini sculpture was produced by the artist Elliott Earls in advance of his […]
A close look at the machining of one of Elliott Earls’ limited edition objects provides the background for a discussion of how critical theory relates to practice. In this episode Elliott provides a suggestion for helping you move your studio practice to a more contemporary space. This episode also features Joshua Ray Stephens as the Unholy […]
Comic Relief: Elliott Earls, Diana Thorneycroft, Michael Scoggins June 7 – August 8 Group Exhibition As an independent artist and as an Artist-in-Residence at Cranbrook Academy of Art, Elliott Earls has worked hard to engage issues of power, desire and commerce. His work is focused on the relationships between power, technology and media. Beginning in […]
Prior to the exhibition ComicRelief at WassermanProjects, I spent a lot of time considering methods to extend graphic language into three dimensional objects. I think my work compositionally, has been marked by a simple binary. One portion of my work has relied on an almost baroque compositional sensibility, while the other has been simple. This is a very long way […]
I’ve been developing a body of work that extends my graphic language into low relief objects. This 18 x 24 x 2.25″ ebonized Apsen panel is the latest example. Note the inclusion of the cyclops head from my Elegy for the Collapse of the Empireinstallation. Drag the Slider to see Work in Chrome vs Aspen […]
One of many projects currently underway in the studio is an identity system for the Earls summer studio on Lake Leelanau. This large cedar sign is one of the elements of this system.