Aspen Panel, Stain, Epoxy. 18×24″ 2014.
Prior to the exhibition ComicRelief at WassermanProjects, I spent a lot of time considering methods to extend graphic language into three dimensional objects. I think my work compositionally, has been marked by a simple binary. One portion of my work has relied on an almost baroque compositional sensibility, while the other has been simple. This is a very long way of saying that I wanted to build on the direct and simple.
Here Are A Few Historical Examples:
Screen-print on wood panel
48″x 48″ x .5″
1997.
(Crappy iPhone Photo)
Other Recent Relevant work
Elliott Earls Installation at Collider
Documentation of my march 2012 installation at the University of Akron Folk Hall. “The Collider Exhibition Series examines the impact, implications and inspiration the phenomenon generally categorized under the umbrella term New Media within design practice and fine arts.” Twitter Instagram YouTube Gold Boots from Elliott Earls Collider Installation https://vimeo.com/119240316 Pictures from the Installation Detail of […]
Super Anti-Zero 12 Limited Edition Aspen Panel Now Available Through MinisLimited
$3500.00 each Super Anti-Zero 12 is now available through www.minislimited.com. Each object is precision CNC machined from a solid block of ebonized Aspen. This object is limited to an edition of 10 signed and numbered copies. Available at www.minislimited.com Super Anti-Zero 12 is a limited edition low-relief sculptural object by Elliott Earls. Made from a stack laminated ebonized panel, each piece […]
Elegy for the Collapse of the Empire at the Triennale Design Museum in Milan
In early June 2011, I was asked to participate in an exhibition entitled Graphic Design Worlds at the Triennale Design Museum in Milan. On January 19th, 2011 I traveled with Cranbrook graduate students Nicole Killian and Wesley Taylor to Milan for the installation and the subsequent opening. In December 2008, I produced a piece entitled “Thoughts on Democracy” for the […]