In late 2009 I collaborated with William Massie, Beverly Fishman and Heather McGill on the design of a VIP lounge for the AXA Corporation at Art Basel Miami Beach. The piece was subsequently acquisitioned into the permanent collection of the Miami Art Museum. These photos document the result of that collaboration.
The documentation below does not show the integrated video. The video was projected on a convex porous screen (the brown wall). This makes the video nearly impossible to photograph on axis. The wall is translucent when looked at directly. It is completely solid when seen from an oblique angle. The effect of this was to dematerialize the video and the wall.

Recent Related Work
Elliott Earls Installation at Collider
Documentation of my march 2012 installation at the University of Akron Folk Hall. “The Collider Exhibition Series examines the impact, implications and inspiration the phenomenon generally categorized under the umbrella term New Media within design practice and fine arts.” Twitter Instagram YouTube Gold Boots from Elliott Earls Collider Installation https://vimeo.com/119240316 Pictures from the Installation Detail of […]
Elliott Earls Robotic Drums From the Bull and Wounded Horse Performance
This video depicts the first version of a pneumatic drum kit that I designed and fabricated for use within my “Bull and Wounded Horse” performance piece. As with most of my work, I also see these drums as sculptural objects. So while the drums find a use on stage, they are also intended to create music […]
Akron Ohio Newspaper Misattributes Elliott Earls’ Work to Artist Mark Amerika
I was pleased to see my installation at the University of Akron prominently featured in the local newspaper, only to read that Mark Amerika had made it. Should I demand a retraction?